Gagosian Quarterly: Summer 2025 Issue
The Summer 2025 issue of Gagosian Quarterly is now available, featuring Pablo Picasso’s Nu accoudé (1961) on the cover. We celebrate Picasso: Tête-à -tête, presented in partnership with Paloma Picasso at Gagosian, by sharing Michael Cary’s essay about the historical context that inspired the exhibition alongside a conversation from 1932 between the legendary artist and his friend, the well-known publisher E. Tériade.
A special section dedicated to architecture includes features on Alexander Calder, David Chipperfield, Berthold Lubetkin, Wutopia Lab, and more. Excerpts from a new and expanded edition of Francesco Bonami’s mind-bending and wildly entertaining “autobiography” of Maurizio Cattelan shed light on the artist’s life and provocative works.
Elsewhere in this issue: Joshua Chuang contextualizes Paul McCartney’s 1960s photographs, taken during the height of Beatlemania; Péjú Oshin interviews multidisciplinary filmmaker Jenn Nkiru; Hélène Cixous responds to Hans Ulrich Obrist’s questionnaire; and much more.
Original: $20.00
-65%$20.00
$7.00



Description
The Summer 2025 issue of Gagosian Quarterly is now available, featuring Pablo Picasso’s Nu accoudé (1961) on the cover. We celebrate Picasso: Tête-à -tête, presented in partnership with Paloma Picasso at Gagosian, by sharing Michael Cary’s essay about the historical context that inspired the exhibition alongside a conversation from 1932 between the legendary artist and his friend, the well-known publisher E. Tériade.
A special section dedicated to architecture includes features on Alexander Calder, David Chipperfield, Berthold Lubetkin, Wutopia Lab, and more. Excerpts from a new and expanded edition of Francesco Bonami’s mind-bending and wildly entertaining “autobiography” of Maurizio Cattelan shed light on the artist’s life and provocative works.
Elsewhere in this issue: Joshua Chuang contextualizes Paul McCartney’s 1960s photographs, taken during the height of Beatlemania; Péjú Oshin interviews multidisciplinary filmmaker Jenn Nkiru; Hélène Cixous responds to Hans Ulrich Obrist’s questionnaire; and much more.






