A Foreigner Called Picasso
This two-volume exhibition catalogueâwith 250 limited-edition box setsâwas published on the occasion of A Foreigner Called Picasso at Gagosian, West 21st Street, New York. Curated by Annie Cohen-Solal and VĂ©rane Tasseau, the exhibition was organized in association with the MusĂ©e national PicassoâParis and the Palais de la Porte DorĂ©eâMusĂ©e national de lâhistoire de lâimmigration, Paris. Spanning the entirety of Pablo Picassoâs career in France from 1900 through 1973, A Foreigner Called Picasso reframes our perception of the artist with a focus on his status as a permanent foreigner in France.
The first volume illustrates the more than eighty-five artworks in the exhibition with plates and installation photographs, organized chronologically into seven sections: âPrelude,â â1900â1906: âAnarchist under Surveillanceâ in the Labyrinth of Paris,â â1906â1919: Leader of the Avant-Garde,â â1919â1939: Mercurial Artist under Siege,â â1940â1944: âFrance for the French!,ââ â1944â1955: The Communist Party as a âHomeland,ââ and â1955â1973: Head of a Mediterranean Tribe in His Kingdom.â In addition to an an introduction by Larry Gagosian and a text by Paloma Picasso, it includes a conversation between Cohen-Solal; CĂ©cile Debray, director of MusĂ©e national PicassoâParis; and Constance RiviĂšre, director of the Palais de la Porte DorĂ©e. An homage to Claude Picasso (1947â2023), with a remembrance by Gagosian, concludes the book.
The second volume, edited by Cohen-Solal, reproduces historical material and ephemera that contextualize the exhibited works, including sketches, printed matter, letters, and installation, studio, and personal photography. Divided into four sectionsââThe Picasso Paradox,â âThe Triple Stigma,â âA Multi-Resource Strategist,â and âPicasso Our Contemporaryââit also contains thirteen illustrated essays and conversations that explore the important new perspectives prompted by the exhibition; several essays are published in English for the first time, following a French catalogue on the subject (Librairie ArthĂšme Fayard, 2021). Among the featured texts by the curators, Picasso experts, social scientists, and intellectuals at large are âA Group of Saltimbanques and the Ordeals of the Warsâ by Cohen-Solal; âWhen Chicago Met Picassoâ by Silvia Beltrametti; âSmuggling Identities: Picasso at the Borders of Cataloniaâ by Peter Sahlins; and âGuernica: An Odyssey in Time and Spaceâ by Jeremy Adelman.
The volumes are available for purchase individually, or as a pair with a $15 discount that will be applied at checkout. Special limited-edition box sets are also available.
Original: $100.00
-65%$100.00
$35.00











Description
This two-volume exhibition catalogueâwith 250 limited-edition box setsâwas published on the occasion of A Foreigner Called Picasso at Gagosian, West 21st Street, New York. Curated by Annie Cohen-Solal and VĂ©rane Tasseau, the exhibition was organized in association with the MusĂ©e national PicassoâParis and the Palais de la Porte DorĂ©eâMusĂ©e national de lâhistoire de lâimmigration, Paris. Spanning the entirety of Pablo Picassoâs career in France from 1900 through 1973, A Foreigner Called Picasso reframes our perception of the artist with a focus on his status as a permanent foreigner in France.
The first volume illustrates the more than eighty-five artworks in the exhibition with plates and installation photographs, organized chronologically into seven sections: âPrelude,â â1900â1906: âAnarchist under Surveillanceâ in the Labyrinth of Paris,â â1906â1919: Leader of the Avant-Garde,â â1919â1939: Mercurial Artist under Siege,â â1940â1944: âFrance for the French!,ââ â1944â1955: The Communist Party as a âHomeland,ââ and â1955â1973: Head of a Mediterranean Tribe in His Kingdom.â In addition to an an introduction by Larry Gagosian and a text by Paloma Picasso, it includes a conversation between Cohen-Solal; CĂ©cile Debray, director of MusĂ©e national PicassoâParis; and Constance RiviĂšre, director of the Palais de la Porte DorĂ©e. An homage to Claude Picasso (1947â2023), with a remembrance by Gagosian, concludes the book.
The second volume, edited by Cohen-Solal, reproduces historical material and ephemera that contextualize the exhibited works, including sketches, printed matter, letters, and installation, studio, and personal photography. Divided into four sectionsââThe Picasso Paradox,â âThe Triple Stigma,â âA Multi-Resource Strategist,â and âPicasso Our Contemporaryââit also contains thirteen illustrated essays and conversations that explore the important new perspectives prompted by the exhibition; several essays are published in English for the first time, following a French catalogue on the subject (Librairie ArthĂšme Fayard, 2021). Among the featured texts by the curators, Picasso experts, social scientists, and intellectuals at large are âA Group of Saltimbanques and the Ordeals of the Warsâ by Cohen-Solal; âWhen Chicago Met Picassoâ by Silvia Beltrametti; âSmuggling Identities: Picasso at the Borders of Cataloniaâ by Peter Sahlins; and âGuernica: An Odyssey in Time and Spaceâ by Jeremy Adelman.
The volumes are available for purchase individually, or as a pair with a $15 discount that will be applied at checkout. Special limited-edition box sets are also available.













